Rhetorical Delivery and Digital Technologies: Networks, by Sean Morey

By Sean Morey

This publication theorizes electronic logics and purposes for the rhetorical canon of supply. electronic writing applied sciences invite a second look approximately what supply can provide to rhetorical reviews and writing practices.

Sean Morey" "argues that what supply offers is entry to the unspeakable, subconscious components of rhetoric, no longer essentially via emotion or feeling as is mostly provided via prior reviews, yet have an effect on, a site of sensation implicit within the (overlooked) unique Greek time period for supply, "hypokrisis."

Moreover, the first capacity for providing have an effect on is either the common sense and expertise of a community, construed as glossy, electronic networks, but in addition networks of institutions among people and nonhuman items. Casting supply during this gentle deals new rhetorical trajectories that advertise its incorporation into electronic networked-bodies.

Given its provocative and wide reframing of supply, this e-book offers unique, strong how one can comprehend rhetorical supply not just via a lens of electronic writing applied sciences, yet all ancient technique of enacting supply, delivering implications that would finally impact how students of rhetoric will come to view not just the opposite canons of rhetoric, yet rhetoric as an entire.

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Rhetorical Delivery and Digital Technologies: Networks, Affect, Electracy

This booklet theorizes electronic logics and functions for the rhetorical canon of supply. electronic writing applied sciences invite a re-assessment approximately what supply can provide to rhetorical reviews and writing practices.

Sean Morey" "argues that what supply offers is entry to the unspeakable, subconscious components of rhetoric, now not essentially via emotion or feeling as is mostly provided via prior reports, yet have an effect on, a site of sensation implicit within the (overlooked) unique Greek time period for supply, "hypokrisis. "

Moreover, the first ability for supplying have an effect on is either the common sense and expertise of a community, construed as sleek, electronic networks, but in addition networks of institutions among people and nonhuman gadgets. Casting supply during this mild deals new rhetorical trajectories that advertise its incorporation into electronic networked-bodies.

Given its provocative and large reframing of supply, this e-book presents unique, strong how one can comprehend rhetorical supply not just via a lens of electronic writing applied sciences, yet all ancient technique of enacting supply, providing implications that might finally have an effect on how students of rhetoric will come to view not just the opposite canons of rhetoric, yet rhetoric as an entire.

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19 Perhaps this is not a passive position, nor active, but a networked activity of these technologies working together. Yet this interaction still does not address the affective and sensory input experienced by the mother. If the body pains during this cessation of time, it no longer delivers (if it ever did). Perhaps the term itself strips some agency from the mother. While the machines in the delivery room are designed to make sure delivery goes smoothly and enhance the comfort of the body (or bodies), it disturbs the person of the body.

Such delivery spaces, however, can have the effect of covering up aspects of delivery, smoothing out a process that has historically not been so Declassifying Delivery 29 stripped of environmental variables. ”17 The delivery room becomes an extension of the mother-infant-family-nurse-doctor-monitor-machine-hospital assemblage, an extension that, as McLuhan would note, numbs one human capacity (the ability to be shocked) while enhancing another (the ability to deliver). Does the narcotic of the delivery room—figuratively in this case—take something from the process?

But the small town in which they remark upon the inbrededness of the locals, the place of the well-known dueling banjos scene. Here, Drew is able to connect with the young boy, but only through music, for when he speaks, or offers the gesture of a handshake, the boy quickly withdraws. Here, communication can be felt only through unspoken vibrations of sensation, a rhythm bouncing from one banjo to another. As the narrative progresses, the four men delve further into an underworld, encountering the mountain men who rape Bobby and who are both eventually killed by Lewis and Ed (after one kills Drew).

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