Dalmatians (Eye to Eye With Dogs) by Lynn M. Stone

By Lynn M. Stone

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Extra info for Dalmatians (Eye to Eye With Dogs)

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In the still life (below right), the pots show a whole range of tones in what is a low-key picture. USING LIGHT AND DARK TONES 45 Dark imagery, left This low-key image of a windmill has a brooding atmosphere. The sky seems full of foreboding and the dark landscape has a hint of menace. A red filter is used to darken the sky and other light tones, except for the path in the foreground. Bright imagery, above A combination of smoke and mist has given a lighttoned, high-key result. Although practically no detail has survived, the imagery has an old-world tranquillity and there is an overwhelming feeling of space and emptiness.

Unusual view, above An abstract composition consisting of strong color contrast is created here by showing part of the boat’s red keel and its reflection in the inky blue water. Spatial abstraction, above Two large blocks of strong, contrasting color destroy the sense of depth in this picture. Although the yellow field is more distant, it is the green grass closer to the viewer that appears to recede. Light and color, left The light by which an object is viewed has an effect on its coloration. Here, strong, directional evening light produces intense hues of red.

A small screwdriver is also useful. CAMERA BAG A camera bag should be well padded inside and have adjustable compartments for holding equipment. TRIPOD A lightweight tripod is essential when you need steady images. HOW TO SEE BETTER PICTURES Taking photographs that have appeal and impact depends in part on your ability to see the potential in a subject and then interpret it in your own way. This section reveals how light affects form, color, texture, shape, and pattern, and shows how to compose excellent photographs by considering the different qualities of light.

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