AC/DC: High-Voltage Rock 'n' Roll: The Ultimate Illustrated by Phil Sutcliffe

By Phil Sutcliffe

Shaped in 1973 by means of brothers Angus and Malcolm younger, AC/DC has turn into essentially the most well known rock ’n’ roll bands in heritage. this large new name follows the band from its roots in Sydney, Australia, to its most modern releases and sold-out international excursions. No stone is left unturned, from the AC/DC’s formation and early membership gigs to its excellent around the world luck. a distinct conceal incorporating Angus on a spinning disc offers solution to greater than four hundred illustrations contain handbills, posters, behind the curtain passes, and vinyl from world wide, in addition to infrequent candid and function images. Sidebars from most sensible rock scribes learn all studio releases and delve into the guitar equipment of the younger brothers. the result's an amazing tribute to the band popular for a live-wire level convey and a sonic assault that experience attracted fanatics from all rock camps

Contributors include:
Phil Sutcliffe
Joe Bonomo
Danie Bukszpan
Jen Jewel Brown
Anthony Bozza
Garth Cartwright
Ian Christe
David Dunlap
Andrew Earles
Dave Hunter
James McNair
Martin Popoff
Sylvie Simmons
Bill Voccia

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Extra resources for AC/DC: High-Voltage Rock 'n' Roll: The Ultimate Illustrated History

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YAr 71-116 R:>INT. Wf,'f/le 60NNA ~ ALL OF ~c>! 48 ~ 006HiTA TAKe A VV~ ... AC/ DC hammered it-rhythm guitar, bass and drums on the money, lead guitar and voice ripping it like they'd been together since the cradle, endlessly rocking, the rhythm and the blues right there in the bloodstream. You sweated. You laughed. You hollered. You couldn't believe that the little guitarist in the silly schoolboy suit-no, in his underpants after a few minutes-could thrash about and play like that. A to every Glory.

American icons the Allman Brothers, The Band, and Creedence Clearwater Revival had disintegrated or sunk. Glam's crunchy bubblegum rockersGary Glitter and David Bowie, Slade and lRex, suzi Quatro and The Sweet-were all finding their time in the spotlight over (OK, Bowie managed to reinvent himself several times over the next decade, but this involved jettisoning his rock 'n' roll stylings for fake soul and German electro angst). Truth be told, by 1975 rock 'n' roll was horribly static, dominated by pompous, ponderous stadium acts-Led Zeppelin and Yes; Emerson, Lake 6: Palmer and Pink Floyd; Peter Frampton and Foghat-bands that had forgotten it was the joy of the roll, not just the thud of rock, that first inspired and brought them together.

Music press started praising these uncompromising Aussie bands, The Saints and Birdman got international recording deals. K. but found themselves unhappy with their record companies and frustrated at how the music press expected them to act "punk:' The Saints and Radio Birdman would both split by the end of 1979, members retreating to Australia to lick their wounds, while AClDC-untroubled by media hype-kept on touring, working harder and harder, building audiences, and slowly conquering the world.

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